The information provided on Graphics Atlas is written by the Image Permanence Institute. The following is a list of works consulted in the production of text.
Benson, Richard. The Printed Picture. New York: The Museum of Modern Art, 2008.
Burbank, Rev. W. H. Photogrpahic Printing Methods: A Practical Guide to the Professional and Amateur Worker. New York: The Scovil & Adams Company, 1889.
Coatings on Photographs: Materials, Techniques, and Conservation. Ed.Constance McCabe. Photographic Materials Group, American Institute for Conservation of Hisotric and Artistic Works, 2005.
Coote, Jack H. The Illustrated History of Colour Photography. Surbiton, Eng.: Fountain Press Limited, 1993.
Darrah, William C. Cartes de Visite in Nineteenth Century Photography. Gettysburg: W. C. Darrah, 1981.
Eastman Kodak Company. Direct Positive Photography with KODAK Super Speed Direct Positive Paper. KODAK Pamphlet G-14. Rochester, NY: Eastman Kodak Company.
Funderburk, Kit. A Guide to the Surface Characteristics Kodak Fiber Based Black and White Papers. Rochester, NY: Eastman Kodak Company, 2007.
Fuji Photo Film Co., Ltd. 50 Years of Fuji Photo Film. Japan: Fuji Photo Film Co., Ltd, 1984.
Gascoigne, Bamber. How to Identify Prints. New York: Thames and Hudson, 1991.
Goranin, Nakki. American Photobooth. New York: W. W. Norton & Co., 2008.
Gustavson, Todd. Camera: A History of Photography from Daguerreotype to Digital. New York: Sterling Publishing Co., Inc., 2009.
Hamilton, James. Wood Engraving and the Woodcut in Britain c. 1890-1990. London: Barrie & Jenkins, 1994.
Imaging Processes and Materials: Neblette’s Eighth Edition. Ed. John M Stuge, Vivian Walworth and Allan Shepp. New York: Van Nostrand Reinhold, 1989.
Ivins, William M., Jr. How Prints Look: Photographs with a Commentary. Boston: Beacon Press, 1943.
Jürgens, Martin C. The Digital Print: Identification and Preservation. Los Angeles: The Getty Conservation Institute, 2009.
Lavedrine, Bertrand. A Guide to the Preventive Conservation of Photograph Collections. Los Angeles: The Getty Conservation Institute, 2003.
Lavedrine, Bertrand, Jean-Paul Gandolfo. The Lumiere Authochrome: History, Technology, adn Peservation. Los Angeles: The Getty Conservation Institute, 2013.
Lavenrine, Bertrand. Photographs of the Past: Process and Preservation. Los Angeles: The Getty Conservation Institute, 2009.
de Maré, Eric. The Victorian Woodblock Illustrations. New York: The Sandstone Press, 1980.
Nadeau, Luis. Encyclopedia of Printing Photographic and Photomechanical Processes. 2 vols. Fredericton, NB: Atelier, 1990.
Neblette, C. B. Photography, Its Principles and Practice. Fourth edition. New York: D. Van Nostrand Company, Inc., 1942.
Oliver, Barret. A History of the Woodburytype. Nevada City: Carl Mautz Publishing, 2006.
Penichon, Silvie. Twentieth-Century Color Photographs: Identification and Care. Los Angeles: The Getty Conservation Institute, 2013.
Polaroid. Film Identification and Manufacturing Information. USA: Polaroid.
Reilly, James M. Care and Identification of 19th-Century Photographic Prints. Rochester: Silver Pixel Press, 2001.
Sipley, Louis Walton. A Half Century of Color. New York: The Macmillan Company, 1951.
Sobieszk, Robert, ed. Early Experiments with Direct Color Photography. New York: Arno Press, 1979.
Stone, Barnard and Arthur Eckstein. Preparing Art for Printing. New York: Reinhold Book Corporation, 1965.
Webster, Edward. Print Unchained: A Saga of Invention and Enterprise. Vermont: DRA of Vermont, 2000.